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“When I was in Antarctica in 2001, the phenomenon of climate change was already known. But I decided to use the overwhelming beauty of the South Pole and later the Arctic as inspiration for my series "Icebergs & Paraphernalia". The floating ice shapes, the beautiful landscapes, and the purity of the skies in all their shades of color touched me deeply. So deep, that I wanted nothing more than to translate what had become so dear to me during my travels, into glass sculptures. Foremost as a tribute to nature and its endless beauty.
Now it's 2024... I can no longer ignore what we face daily on the news. Partly due to questions from others and the deep-felt desire to visit ice areas again and to transform a reappraisal of my experiences, with the knowledge of now, a new body of work is taking form…
“When I was in Antarctica in 2001, the phenomenon of climate change was already known. But I decided to use the overwhelming beauty of the South Pole and later the Arctic as inspiration for my series "Icebergs & Paraphernalia". The floating ice shapes, the beautiful landscapes, and the purity of the skies in all their shades of color touched me deeply. So deep, that I wanted nothing more than to translate what had become so dear to me during my travels, into glass sculptures. Foremost as a tribute to nature and its endless beauty.
Now it's 2024... I can no longer ignore what we face daily on the news. Partly due to questions from others and the deep-felt desire to visit ice areas again and to transform a reappraisal of my experiences, with the knowledge of now, a new body of work is taking form…
Ice Cave 1, 2023
26 x 15 x 6.7”
Vatnajökull II 2023
19.8 x 14.6 x 5.8”
Crevasse II, 2023
19.7 x 7.5 x 4.75”
Blue Ice Reflections, 2023
17 x 9.8 x 4.8”
Glacier Lake II, 2023
5.1 X 15.75 X 9.45”
Inside Eyjafjallajökull II, 2023
8.7 X 18.5 X 9.8”
Melting Glacier , 2023
31 X 12 X 5”
Melting Ice II, 2023
31 X 12 X 7”